Saxxon🦊 @[email protected]

Pin: Follow requests are absolutely okay! Just be mindful that I post a lot of NSFW comissions and mental health musings behind the lock. If that's your bag, plus me. 💜✨

Pinning some connections here:
Bandcamp - https://sanxion7.com
Blog - https://ilovepa.ws
Furaffinity - https://furaffinity.net/user/saxxonpike
Github - https://github.com/saxxonpike
Refsheet - https://ref.st/saxxon
Soundcloud - https://soundcloud.com/saxxonpike
Telegram - https://t.me/saxxonfox

Someone has to be the one to say "okay the night is over" and as low of a feeling that can come attached to it I get, punctuating each night gives each night a context in time, compartmentalizes it into a unit that can be reflected upon in whole

Subconsciously I plead "there can't be a tomorrow if the night never ends". But we all know it doesn't work that way.

I left Digg over their handling of 09 F9. I used to enjoy that site right up until then; it was the one that got me immersed in US politics leading up to the 2008 presidential election, the first one I was eligible to vote in.

I am experiencing a strange kind of tempo vertigo with this remix I'm working on. I'm doing a remix at 110 BPM, the original material is 100, but THOSE two feel like the same tempo, yet when I time-compress the original material to 110, it feels noticeably faster than mine. Wtf?

I have done a lot of remixes over the years and I have not experienced it to this extent before. It's only strange because of how incongruent this is in my head.

D&B in Madison connected their Pump It Up cabinet online again. Now I need to destroy all the machine records I set in the interim. It's off hours, time to shine.

Trance Kuja can raw me tbh

I don't know what's possessed me to put my age on profiles across the internet but every October there's inevitably one or two I miss for a year.

(Hey, it's fun to embellish and play up, okay? It's a fun little thing that belongs to those of us who got into audio production in the early 2000s.)

Some blame him for Syntrillium's eventual absorption into Adobe - where Cool Edit was rebadged "Audition." A pariah among Good Consumers, a convenient scapegoat for whatever befell the company. Others label him brave, the bearer of significant risk, a legend that provided.

Who was he? He was us. We told the system we were Peter Quistgard. We told the system we were Marco Hardmeier.

Shout out to Peter Quistgard - if you know this name, you know what for - the man is probably unaware of just how many careers his software registration key kicked off.

If you don't know this name, it was paired with a serial number for Cool Edit Pro by Syntrillium way back when. It was met with a mixture of praise and disdain, between which the balance differed depending on the community you were talking about.